Day 127/365 - The Marriage of Figaro

So it turns out that 'The Marriage of Figaro' isn't just an opera by Mozart, it's also a late 18th century comedic play by French playwright Beaumarchais. The play was banned by King Louis XVI because of its proto-Revolutionary sentiment, chiefly the ideas that accidents of birth do not serve as a proxy for true worth and that in many ways a servant might be superior to a master.

Constellation Theatre Company is currently staging a production of Beaumarchais' 'The Marriage of Figaro' at the Source Theatre and tonight my friend Adriana and I went to see it. Before the show, I stopped in at Cafe St. Ex (it's nearly next door to the theater) to have dinner. I'd been wanting to try CSX for some time now, but after having done so I think it's probably a better place to go for drinks and appetizers than for dinner. I had the creamy tomato soup with cheese-coated croutons (really good), grilled rockfish with bacony brussel sprouts and cheese-stuffed figs (just okay, although the figs were yummy), and tangerine creme brulee (so-so). Adriana had to meet up with another friend of hers before the show so she couldn't make it for dinner, but she did swing by CSX in time to join me for dessert (she had the chai ice cream sundae, which was just okay). Then it was off to the theater.

Source is a somewhat unusual theater. The stage takes up more room than the audience seating area. There are only three rows of seats and each row is maybe 15-18 seats long. If you are unfamiliar with the plot of 'Figaro' it concerns a wily servant who is about to wed -- assuming he can stave off the love-starved predations of a thwarted spinster and keep his master the Count from seducing his fiancee, that is. Beaumarchais' play runs a bit long, particularly in the saggy second act. It could certainly stand with some trimming. The play had it's funny moments though, a few of which were unintentional -- as when Bazile's turban came unwound mid-speech and the Count's cape got snagged on a bench as he stormed offstage. In each case the actors responded to the physical miscues with admirable aplomb.

The peformances were largely adequate, with the actress playing Figaro's fiancee Suzanne being the strongest. Given the space and technical constrictions at Source, the set design was excellent. The costuming was also quite good with the possible exception of the drunken gardener, who would have been better appointed with a straw hat instead of an anachronistic stocking cap. Taking into account that we got our tickets for 10 bucks each through Goldstar, I think 'Figaro' was worth the price of admission. I'd likely have felt differently however if we'd had to pay full-price rather than half.

After the show Adriana was feeling a bit peckish from missing dinner so I introduced her to the myriad wonders of Ben's Chili Bowl, where she partook of her first ever half-smoke and we split an order of cheese fries. Now that she's had her baptism by chili, she's an official Washingtonian.

(Taken with my Nikon Coolpix S200)